A teaser campaign for the launch of the largest cruise ship in the world. Royal Caribbean's Harmony of Seas. Agency: Mullen-Lowe Group.

Yoshi Sodeoka's illustration accompanies Forrest Stuart's essay, "Watching the Police: Let's All Start Filming, Early and Often," in the October issue of WIRED.

Rob Kulisek's photos accompany Chris Campanioni's interview with Nowhere FC founder Diego Moscoso in At Large Volume 6.

Lauren Ross shoots the Spring/Summer 2017 Jenni Kayne lookbook at the Schindler Kings Road House in Los Angeles. View the entire lookbook at Vogue.com.

Rob Kulisek shoots chef Kris Yenbamroong (Night + Market) for the September 12, 2016 issue of Bloomberg Businessweek ("Thai Street Food Takes Off in Hollywood").

Rob Kulisek shoots an exclusive "Yeezy Season 3 Special" with model Braina Laviena for CR Fashion Book in advance of New York Fashion Week. Styled by Ronnie Hart. 

The Family Acid’s summer show at Benrubi Gallery in Chelsea was reviewed in both The New Yorker and The New York Times.

Will Adler and Dane Peterson appear along with Emily Knecht, Keegan Gibbs, Stacy Kranitz, and Valerie J. Power in the Innocnts-curated group show, “Familiar Differences,” at These Days in Downtown, Los Angeles (through September 3rd).

Rob Kulisek photographs Sean Raspet's collaborative installation with Soylent for Frieze New York. Uniforms designed by Nhu Duong.

Robert Kulisek shoots the cover of Texte zur Kunst’s “Fashion” issue (June 2016) and inside portraits of Nasir Mazhar, Kyle Luu, Bernadette Van-Huy, Liam Hodges, Telfar, Juliana Huxtable,and Eckhaus Latta, among others.

The Family Acid and Huf have collaborated on a run of photo tees. They’ve also made a great video with Roger deep within his reggae archives. “The great secret of reggae music is that it is the beat of the healthy heart at rest … rebel music … heartbeat rhythm.”—RS

Read about the collaboration in Juxtapoz. 

The new Tory Sport collection gets a test run by model and all-around athlete Olivia Jansing. Photographed by Will Adler for Barneys "The Window." Editorial Director: Marissa Rosenblum.

Chad Ress photographs "Hollywood Gets Its Groove Back" for The New York Times.

Chad Ress shoots "36 Hours in Koreatown, Los Angeles" for The New York Times.